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Public Relations and Communication Management serves as a festschrift honoring the work of public relations scholars James E. Gruning and Larissa A. Grunig. Between them, the Grunigs have published 12 books and more than 330 articles, book chapters, and various academic and professional publications, and have supervised 34 doctoral dissertations and 105 master’s theses. This volume recognizes the Grunig‘s contributions to public relations scholarship over the past four decades.

To honor the Grunig’s scholarship, this volume continues to expand their body of work with essays from renowned colleagues, former students, and research associates. The chapters discuss current trends in the field as well as emerging issues that drive the field forward. Sample topics include theories and future aspects of the behavioral, strategic management approach to managing public relations, and its linkages and implications to related subfields and key field issues. Contributions stimulate academic discussion and demonstrate the relevance of applied theories for the practice of public relations and communication management with up-to-date concepts, theories, and thoughts.

• Sales Rank: #1447069 in Books
• Brand: Brand: Routledge
• Published on: 2013-05-15
• Original language: English
• Number of items: 1
• Dimensions: 8.80" h x 1.00" w x 6.00" l, .0 pounds
• Binding: Paperback
• 430 pages

Features

• Used Book in Good Condition

About the Author

Krishnamurthy Sriramesh, Ph. D., is Professor in the Brian Lamb School of Communication, Purdue University. Dr. Krishnamurthy Sriramesh is recognized for his scholarship on global public relations. He serves as the Assistant Editor of Public Relations Review and is Associate Editor of the Journal of Communication Management.

Ansgar Zerfass, Dr., is Professor of Communication Management at the University of Leipzig, Germany. Ansgar Zerfass has published 30 books and more than 140 articles and book chapters on corporate communications, online communication, evaluation and measurement.

Jeong-Nam Kim is an associate professor in the Brian Lamb School of Communication at Purdue University. He has published 29 journal articles and 8 book chapters, and is working on four books, including the book on the situational theory, Situational theory of problem solving: Communicative, cognitive, and perceptive bases (Routledge, forthcoming).

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You always aim to achieve that moment of insight that leads to ingenuity and novelty in your design, but sometimes it remains elusive. This book presents a variety of techniques for mapping and making hands-on design/build projects, and relates this work to real architecture. It helps you to learn new ways of seeing and making that will enhance your creative design process and enable you to experience moments that lead to ingenuity in design.

Each of the book’s two parts, "Seeing" and "Making," is organized according to technique, which ranges from quantitative analysis and abstraction to pattern and scale, to provide you with a framework for mapping and hands-on exercises. Interviews with architects Yoshiharu Tsukamoto (Atelier Bow-Wow) and Jesse Reiser and Nanako Umemoto (Reiser + Umemoto) give you perspective on using these exercises in practice.

• Sales Rank: #7544784 in Books
• Published on: 2013-09-19
• Original language: English
• Number of items: 1
• Dimensions: 9.30" h x .70" w x 6.20" l, 1.01 pounds
• Binding: Hardcover
• 176 pages

Review

"By brilliantly pairing student work and contemporary precedents, theoretical texts and interviews, Taiji Miyasaka unpacks the nature of "ingenuity" through the most basic of human actions, seeing and making. This book is a must read for design students and educators in the digital age, illuminating the slow and methodical path to authenticity contrary to the culture of instant gratification."

Kentaro Tsubaki, Tulane School of Architecture, New Orleans, USA

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## Ebook Download Capital Punishment in Twentieth-Century Britain: Audience, Justice, Memory (Routledge SOLON Explorations in Crime and Criminal Justice Hist

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Capital punishment for murder was abolished in Britain in 1965. At this time, the way people in Britain perceived and understood the death penalty had changed – it was an issue that had become increasingly controversial, high-profile and fraught with emotion. In order to understand why this was, it is necessary to examine how ordinary people learned about and experienced capital punishment.

Drawing on primary research, this book explores the cultural life of the death penalty in Britain in the twentieth century, including an exploration of the role of the popular press and a discussion of portrayals of the death penalty in plays, novels and films. Popular protest against capital punishment and public responses to and understandings of capital cases are also discussed, particularly in relation to conceptualisations of justice. Miscarriages of justice were significant to capital punishment’s increasingly fraught nature in the mid twentieth-century and the book analyses the unsettling power of two such high profile miscarriages of justice. The final chapters consider the continuing relevance of capital punishment in Britain after abolition, including its symbolism and how people negotiate memories of the death penalty.

Capital Punishment in Twentieth-Century Britain is groundbreaking in its attention to the death penalty and the effect it had on everyday life and it is the only text on this era to place public and popular discourses about, and reactions to, capital punishment at the centre of the analysis. Interdisciplinary in focus and methodology, it will appeal to historians, criminologists, sociologists and socio-legal scholars.

• Sales Rank: #4730236 in Books
• Published on: 2014-03-07
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .50" w x 6.14" l, 1.05 pounds
• Binding: Hardcover
• 200 pages

Review

'A crucially important historicity of the cultural narrative and framing of the death penalty in Britain from the nineteenth century to abolition. Lizzie Seal’s study is a fascinating enquiry into media reporting and popular reception of the circumstances surrounding murders and the imposition of executions. This book is a cogent reminder of the real potential of miscarriages of justice in capital cases, and will help to keep political attention on human rights rather than retribution through an archaic punishment.' - Jon Yorke, Reader in Law and Director, Centre for American Legal Studies, Birmingham City University, UK

‘Lizzie Seal’s Capital Punishment in Twentieth-Century Britain offers a fresh look at the press and public imagination of the state’s ultimate penalty in a period when its reality was hidden behind prison walls. Combining extensive primary research with a broad engagement with secondary literature, Seal generates new perspectives on well-known cases and sheds light on the experiences of many of the now-forgotten British condemned. Her book is a pioneering and intellectually exciting contribution to the rapidly developing historiography of crime and criminal justice in twentieth-century Britain.’ - John Carter Wood, Leibniz Institute of European History, Germany

‘With multiple points of insight, Seal offers a meaning-centered analysis of the demise of capital punishment in Britain. By contrast with accounts of this as an elite-driven activity that defied entrenched public beliefs, Seal shows widespread unease and ambivalence in popular attitudes and circulating media representations. The upshot is a thickened understanding of a surprisingly complex field.’ - Philip Smith, Professor of Sociology, Yale University, USA

‘This important book is a valuable addition to the literature on capital punishment in twentieth-century Britain. By examining the cultural history of capital cases and endeavouring to ascertain opinions of the general public (albeit often refracted through a range of popular representations), Lizzie Seal has opened up exciting new perspectives on the popular politics of the death penalty.’ - Dr Anne Logan, University of Kent, UK

‘This is a groundbreaking book - it sets out and delivers a project which renews the study of the death penalty in Britain […] Its exploration of the everyday meanings and cultural life of capital punishment in twentieth-century Britain is a timely and accomplished contribution to a literature often preoccupied with capital punishment in the US and with elite political projects and cultures of abolition.

'Dr Seal's research expands the rich historiography of the cultural meanings of capital punishment in Britain in the eighteenth and nineteenth century to include the twentieth century as a seminal period in capital punishment transformation. It is a must-read for everyone interested in the death penalty and penal politics (both in Britain and elsewhere) and more broadly in the sociology of punishment.’ - Dr Evi Girling, Senior Lecturer in Criminology, Keele University, UK

'In this interesting, clearly written book, Seal (criminology, Univ. of Sussex, UK) looks at capital punishment in the UK not simply as the march toward abolition (made official in 1969) but rather as a broad social study. Seal has presented a thoughtful, original, well-documented study. Summing Up: Highly recommended.' -P. T. Smith, Saint Joseph's University, CHOICE Review, November 2014

'This book is a work of painstaking and detailed scholarship which adds tremendously to our knowledge about the wider context of the debate about capital punishment in Britain. It will be of interest not only to criminologists and historians of criminal justice but to all concerned with the nature and dynamics of public opinion.' - Professor John Lea, University of Leicester, British Journal of Criminology

About the Author

Lizzie Seal is Senior Lecturer in Criminology at the University of Sussex. Her research interests include gender representations of women who kill, cultural criminology, historical criminology and capital punishment. Her previous publications include Women, Murder and Femininity: Gender Representations of Women Who Kill (Palgrave, 2010) and, with Maggie O’Neill, Transgressive Imaginations: Crime, Deviance and Culture (Palgrave, 2012).

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A Social History of Twentieth-Century Europe offers a systematic overview on major aspects of social life, including population, family and households, social inequalities and mobility, the welfare state, work, consumption and leisure, social cleavages in politics, urbanization as well as education, religion and culture. It also addresses major debates and diverging interpretations of historical and social research regarding the history of European societies in the past one hundred years.

Organized in ten thematic chapters, this book takes an interdisciplinary approach, making use of the methods and results of not only history, but also sociology, demography, economics and political science. Béla Tomka presents both the diversity and the commonalities of European societies looking not just to Western European countries, but Eastern, Central and Southern European countries as well. A perfect introduction for all students of European history.

• Sales Rank: #2009062 in Books
• Brand: Brand: Routledge
• Published on: 2013-04-19
• Released on: 2013-03-13
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x 1.25" w x 6.14" l, 1.00 pounds
• Binding: Paperback
• 552 pages

Features

• Used Book in Good Condition

Review

"Over the years I have seen many studies on the social history of twentieth-century Europe, but this one clearly stands out. Béla Tomka’s is, to my knowledge, the first serious attempt to fully integrate all the continent’s regions, while strongly relying on comparisons. This sophisticated and multifaceted synthesis is a magnum opus which deserves a very wide readership." - Marcel van der Linden, International Institute of Social History, The Netherlands

"Béla Tomka has produced a very convincing and impressive social historical synthesis of Europe between World War I and the present. Eastern Europe is not a mere appendix to a basically West European story, but gets its fair share of attention and erudition. The book is written in a highly reflective spirit with much sense for comparative approaches. On the basis of an excellent knowledge of the research literature in several languages, it offers a very readable and fully reliable introduction into the major fields of present-day social history. At the same time it relates to fundamental questions of European modernity, conflicts and identity, in an original way."  - Jürgen Kocka, Wissenschaftszentrum Berlin für Sozialforschung, Germany

"Tomka is excellent when he considers the theoretical approaches that past scholars have brought to bear. After finishing this book, readers are left with a clear sense of how European society has changed, whether one considers the institutions of Europe or the outlook of its inhabitants. Nationalism and religion have, to a very considerable degree, lost their place, but the future is uncertain as Europe faces issues involving the environment, unemployment, and the place of immigrants in countries that were hitherto homogeneous. Summing Up: Highly recommended." - S. Bailey, emeritus, Knox College, CHOICE

A Social History of Twentieth-Century Europe is a CHOICE Outstanding Academic Title of 2013.

“…Tomka’s is a very useful book because it provides intelligent and up-dated coverage of extremely important topics. It should be within arms-reach of anyone putting lectures together on Europe’s twentieth century.” -Nicholas Doumanis, University of New South Wales, Australia

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This collection of interviews offers unprecedented insight into the plays and creative works of Suzan-Lori Parks, as well as being an important commentary on contemporary theater and playwriting, from jazz and opera to politics and cultural memory.

Suzan-Lori Parks in Person contains 18 interviews, some previously untranscribed or specially undertaken for this book, plus commentaries on her work by major directors and critics, including Liz Diamond, Richard Foreman, Bonnie Metzgar and Beth Schachter. These contributions combine to honor the first African American woman to receive the Pulitzer Prize in drama, and explore her ideas about theater, history, race, and gender.

Material from a wide range of sources chronologically charts Parks’s career from the 1990s to the present. This is a major collection with immediate relevance to students of American/African-American theater, literature and culture. Parks’s engaging voice is brought to the fore, making the book essential for undergraduates as well as scholars.

• Sales Rank: #2330199 in Books
• Published on: 2013-12-11
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x .60" w x 6.00" l, .75 pounds
• Binding: Paperback
• 240 pages

Review

'Will definitely fill a wide and gaping lacuna in this field of theatre scholarship.' - Dr Alison Forsythe, University of Aberystwyth, UK

'This volume will be essential reading for anyone interested in American Drama.' - Soyica Colbert, Dartmouth College, UK

'This collection will serve as a very helpful co-text for readers of Parks’s notoriously “difficult” plays, as it gives background and context, as well as possible readings of some of the more cryptic lines and figures.' -  Deborah Thompson, Colorado State University, Modern Drama

'Suzan-Lori Parks in Person: Interviews and Commentaries is an essential addition to dramatic literary scholarship, in that it provides a textured, critical--if penultimate--interactive means through which to meet Parks, as a dramatist, a thinker, and as a person whose work continues to probe human relations historically and presently, thoughtfully and dynamically.' - Jaye Austin Williams, California State University, Long Beach, Text & Presentation

'In total, Suzan-Lori Parks in Person is an engaging work that offers insights into the playwright's mind and work, from her undergraduate thesis to her Pulitzer Prize-winning Topdog/Underdog and her international project 365 Days/365Plays. Kolin and Young provide texts that explore not only how she works but also how she develops seeds of ideas into fully realized productions.' - Valerie M. Joyce, Villanova University, Comparative Drama

About the Author

Philip C. Kolin is the University Distinguished Professor in the College of Arts and Letters at The University of Southern Mississippi. He has published more than 40 books and 200 articles and is the editor of the Southern Quarterly.

Harvey Young is an Associate Professor of Theatre at Northwestern University. His books include Theatre & Race (2013) and Embodying Black Experience (2010).

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Ian Crombie’s impressive volumes provide a comprehensive interpretation of Plato’s doctrines. Volume 2 deals with more technical philosophical topics, including the theory of knowledge, philosophy of nature, and the methodology of science and philosophy. Each volume is self-contained.

• Sales Rank: #9339491 in Books
• Brand: Brand: Routledge
• Published on: 2012-09-11
• Original language: English
• Number of items: 1
• Dimensions: .0" h x .0" w x .0" l, 2.34 pounds
• Binding: Hardcover
• 592 pages

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‘The work as a whole will be an excellent guide for students of general philosophy but also an indispensable textbook for specialist students of Greek philosophy’ The Times Literary Supplement

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By bringing together influential critics of neo-Aristotelian virtue ethics and some of the strongest defenders of an Aristotelian approach, this collection provides a fresh assessment of the strengths and weaknesses of Aristotelian virtue ethics and its contemporary interpretations. Contributors critically discuss and re-assess the neo-Aristotelian paradigm which has been predominant in the philosophical discourse on virtue for the past 30 years.

• Sales Rank: #5214465 in Books
• Brand: Brand: Routledge
• Published on: 2012-12-03
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .90" w x 6.20" l, 1.45 pounds
• Binding: Hardcover
• 244 pages

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• Used Book in Good Condition

Review

 "The volume is an extremely useful tool for scholars and advanced students in moral philosophy in general and, more particularly, in Aristotelian and Neo-Aristotelian ethics."-Annamaria Schiaparelli, University of Geneva

About the Author

Julia Peters is Lecturer in Philosophy at the University of Bonn, Germany.

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This collection offers readers a timely encounter with the historical experience of people adapting to a pandemic emergency and the corresponding narrative representation of that crisis, as early modern writers transformed the plague into literature. The essays examine the impact of the plague on health, politics, and religion as well as on the plays, prose fiction, and plague bills that stand as witnesses to the experience of a society devastated by contagious disease. Readers will find physicians and moralists wrestling with the mysteries of the disease; erotic escapades staged in plague-time plays; the poignant prose works of William Bullein and Thomas Dekker; the bodies of monarchs who sought to protect themselves from plague; the chameleon-like nature of the plague as literal disease and as metaphor; and future strains of plague, literary and otherwise, which we may face in the globally-minded, technology-dependent, and ecologically-awakened twenty-first century. The bubonic plague compelled change in all aspects of lived experience in Early Modern England, but at the same time, it opened space for writers to explore new ideas and new literary forms―not all of them somber or horrifying and some of them downright hilarious. By representing the plague for their audiences, these writers made an epidemic calamity intelligible: for them, the dreaded disease could signify despair but also hope, bewilderment but also a divine plan, quarantine but also liberty, death but also new life.

• Sales Rank: #3722234 in Books
• Brand: Brand: Routledge
• Published on: 2012-04-22
• Released on: 2012-04-23
• Original language: English
• Dimensions: 9.02" h x .61" w x 5.98" l, .36 pounds
• Binding: Paperback
• 268 pages

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• Used Book in Good Condition

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"This is an extraordinary collection, filled with many strong and engaging arguments, readable and broad in its treatment of literary works and perspectives." --Catherine I. Cox, Texas A&M University - Corpus Christi, Renaissance Quarterly, Summer 2011

"Highly recommended." --M. Cole, Edison State College, Choice, January 2011

About the Author

Rebecca Totaro is Professor of English at Florida Gulf Coast University. She is the author of Suffering in Paradise: The Bubonic Plague in English Literature from More to Milton.

Ernest Gilman is Professor of English at NYU. He is the author of Plague Writing in Early Modern England.

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1 of 1 people found the following review helpful.
Representing the Plague
By M.C.J.M.
TABLE OF CONTENTS
Acknowledgments
Introduction, Rebecca Totaro

Section One: Making the Plague Serve Form and Function, 1563-1666
1: Writing the Plague in English Prose Satire, William Kerwin
2: Plague Space and Played Space in Urban Drama, 1604, Kelly J. Stage
3: Physical and Spiritual Illness: Narrative Appropriations of the Bills of Mortality, Erin Sullivan

Section Two: Governing Bodies in Plague-Time
4: Contagious Figurations: Plague and the Impenetrable Nation after the Death of Elizabeth, Richelle Munkhoff
5: "Thinking to pass unknown": Measure for Measure, the Plague, and the Accession of James I, James D. Mardock

Section Three: Performances, Playhouses, and the Sites of Re-Creation
6: "Sweet recreation barred": The Case for Playgoing in Plague-time, Nichole DeWall
7: Shakespeare's Dual Lexicons of Plague: Infections in Speech and Space, Paula S. Berggren
8: "A plague on both your houses": Sites of Comfort and Terror in Early Modern Drama, Barbara H. Traister

Section Four: Contemporary Turns
9: Plague in A Midsummer Night's Dream: A Girardian Reading of Bottom and Hippolyta, Matthew Thiele
10: Dekker's and Middleton's Plague Pamphlets as Environmental Literature, Charles Whitney

Afterword: Plague and Metaphor, Ernest B. Gilman

Notes on Contributors
Index

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Ranging from the time of the infallible Imams, to the contemporary era, this book provides a comprehensive overview of Shi’i religious and political authority, focusing on Iran and Lebanon, without limiting the discourse to Khomeini’s version of an Islamic State.

Utilising untapped Arabic and Persian sources, Hamid Mavani provides a detailed, nuanced, and diverse theoretical discussion on the doctrine of leadership (Imamate) in Shi’ism from traditional, theological, philosophical, and mystical perspectives. This theoretical discussion becomes the foundation for an analysis of the transmission of the Twelfth Imam’s religious and political authority vis-á-vis the jurists during his Greater Occultation.

Bringing the often overlooked diversity within the Shi’i tradition into sharp focus, Religious Authority and Political Thought in Twelver Shi’ism discusses what constitutes an Islamic state, if there is such a notion as an Islamic state. Hamid Mavani further explores the possibility of creating a space for secularity, facilitating a separation between religion and state, and ensuring equal rights for all. This book argues that such a development is only possible if there is a rehabilitation of ijtihad. If this were to materialise modern religious, social, economic, political, and cultural challenges could be addressed more successfully. This book will be of use to scholars and students with interests ranging from Politics, to Religion, to Middle East Studies.

• Sales Rank: #4166687 in Books
• Brand: Brand: Routledge
• Published on: 2013-06-11
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .90" w x 6.10" l, 1.25 pounds
• Binding: Hardcover
• 288 pages

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• Used Book in Good Condition

Review

"Hamid Mavani's Religious Authority and Political Thought in Twelver Shi‘ism is a timely, judicious, impeccably researched, and vastly learned contribution to our evolving understanding of the thorny issue of ‘authority’ in Islamic political thought. More than thirty years after Ayatollah Khomeini made his specific reading of political authority in Shi'ism the cornerstone of an Islamic state, and at the world-historic moment when Arab revolutions have once again brought that issue to the forefront of our critical attention, Professor Mavani's learned book takes a clear and critical angle that will clarify and enrich our encounter with political Islam." - Hamid Dabashi, Hagop Kevorkian Professor of Iranian Studies and Comparative Literature, Columbia University, USA

"The major contribution of the study is in the field of contemporary Shi’ite politics. Through a meticulous examination of the classical theological and traditional sources Dr Hamid Mavani has demonstrated that Shi’ite religious leadership in Iran and Lebanon is engaged in setting the course of Shi’ite history in modern times. Contemporary Shi’ite history, as Dr. Mavani has shown, is an intricate of amalgam of pragmatics and multidimensional response to the Shi’ite futuristic thought about its role in the unfolding of the partnership between religion and politics. More pertinently, the study opens a fresh window of assessing Shi’ite political thought in the context of modern nation-state. No student of comparative politics and religious leadership can afford to ignore this stimulating contribution to the study of Shi’ism in Iran and Lebanon." - Abdulaziz Sachedina, Professor and Endowed IIIT Chair in Islamic Studies, George Mason University, USA

"Hamid Mavani examines Twelver Shi‘i views on political activity and leadership during the continued absence of the Hidden Imam from the very earliest years of the faith to the present. While he addresses the rise of wilayat al-faqih, the doctrine that underpins the Islamic Republic’s present political paradigm, he is also careful to detail alternative contemporary views on authority offered by both Arabs and Iranians, a number of whom are not as well known to western readers as they might be. Mavani’s contribution is an excellent, most welcome and very timely reminder of the complexity of past and, especially, contemporary Twelver Shi‘i discourse in general and Twelver discourse on political authority in particular." - Andrew J Newman, Reader in Islamic Studies and Persian, University of Edinburgh, UK

"Deep enough to capture the interest of well-read scholars and yet easy enough for the novice, Hamid Mavani’s writing is stellar. The introduction and first chapter, “The Ethos of Shi‘ism,” are worthy of placement on the required reading list of any college level course in Islamic studies. But Mavani goes on to explore, analyze, and interpret the ideas of the Imamate that pervade present day national and international political Islam. The doctrine of the Imamate has been and might continue to be the single most divisive doctrine in Islam. Yet, Mavani guides the reader toward an interpretation based upon very credible Shi‘ite authorities that sets the stage for a future positively influenced by this rich doctrine. Perhaps the most important chapter, “The Case for Secularity in Islam,” sets out an authentic, authoritative view of the Imamate that, if widely read, will encourage a present day relevancy of the Imamate for nations and peoples dedicated to Islam. Mavani’s view of political Islam is certainly not “static, unchanging” or “monolithic.” - Mark F. Carr, PhD, Professor of Religious Ethics, School of Religion,
Loma Linda University.

About the Author

Dr. Hamid Mavani is Assistant Professor of Islamic Studies at Claremont Graduate University, Department of Religion. Professor Mavani has spent time at the University of Alberta, the University of Toronto, and McGill University, as well as undertaking specialized, theological training at the traditional seminaries in the Muslim world, such as Egypt, Iran, Iraq, Bahrain, Syria, and Jordan. His primary fields of interest include Islamic legal reform, women and Shi‘i law, Islamic theology and political thought, transnational Islam in Asia, Islam and secularity, intra-Muslim discourse, and Muslims in North America.

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As the nature of contemporary performance continues to expand into new forms, genres and media, it requires an increasingly diverse vocabulary. Reading Contemporary Performance provides students, critics and creators with a rich understanding of the key terms and ideas that are central to any discussion of this evolving theatricality.

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• Sales Rank: #1471799 in Books
• Published on: 2015-10-18
• Original language: English
• Number of items: 1
• Dimensions: 9.60" h x .90" w x 6.80" l, 1.40 pounds
• Binding: Paperback
• 346 pages

About the Author

Meiling Cheng is Associate Professor of Dramatic Arts/Critical Studies and English at the University of Southern California and Director of Critical Studies at USC School of Dramatic Arts.​

Gabrielle H. Cody is Mary Riepma Ross Professor and Chair of Drama at Vassar College where she has taught since 1992. She concentrates her areas of teaching in performance studies, environmental studies, and material performance projects.

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